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Open a larger version of the following image in a popup: Alfred de Breanski Snr, Entrance to Glencoe
Open a larger version of the following image in a popup: Alfred de Breanski Snr, Entrance to Glencoe
Open a larger version of the following image in a popup: Alfred de Breanski Snr, Entrance to Glencoe
Open a larger version of the following image in a popup: Alfred de Breanski Snr, Entrance to Glencoe
Open a larger version of the following image in a popup: Alfred de Breanski Snr, Entrance to Glencoe

Alfred de Breanski Snr English, 1852-1928

Entrance to Glencoe
Oil on canvas
Size without frame 19 1/4 x 29 1/2 ins
Size with frame 26 1/2 x 36 ins

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Alfred de Breanski Senior was a distinguished landscape painter who became famous for his beautifully rendered views of the Welsh and Scottish Highlands; he also painted many views of the Thames. Often bathed in a flood of golden light, these landscapes usually feature water and cattle or sheep on grassy banks; often he depicted fishermen on the banks a river.

Born in London, Alfred was the eldest son of Leopold Breanski; his younger brother and sister, Gustave and Julie, were also painters. He made his debut at the Royal Academy in 1872 and he continued to exhibit there until 1918. He also exhibited at the Royal Institute of Oil Painters and the Royal Cambrian Academy. His many patrons included Sir James Lemon and the Bishop of Peterborough, who purchased the first picture that he exhibited at the Royal Academy “Evening: Softly falls the even light”.

In 1873, Breanski married Annie Roberts, a talented Welsh artist whom he met during his frequent painting trips to Wales. They had seven children, two of which, Alfred Fontville and Arthur, were both to become painters. For much of his life Breanski lived in Greenwich, Lewisham and Cookham and in 1880 he became a Freeman of the City of London.

His work is represented in several public collections including the Southampton Art Gallery and the Laing Art Gallery, Newcastle-upon-Tyne.
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